In 1979 George Miller changed the dystopian future. Before Mad Max, dystopian movies were overly cerebral sci fi with nihilistic endings—stories that made you want to shoot yourself. Suicide was not to avoid a dismal fate, but to avoid suffering another God awful movie. Now almost all dystopia are set in a desert that’s inhabited by filthy, blood-thirsty circus freaks driving metal monstrosities.
One of the many Mad Maxploitation films is Charles Band’s Metalstorm: The Destruction of Jared-Syn. I happened upon it in a carwash dollar bin. Though it was priced twice what it’s worth, I needed something for this month’s walk-thru. So, fasten your safety belts and keep a sharp lookout for roaming bands of ravagers, we’re going back to the dark times, 1983.